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But as a consolation, like on “All Too Well” (”You lost the one real thing you’ve ever known”), she is confident that he will someday also regret their split.įavorite lyric: “Too young to know it gets better/ I’ll be summer sun for you forever.” Her sarcastic jab at his “cool indie music concerts” has an incisiveness also seen on “We Are Never Ever Getting Back Together” (”You’ll hide away and find your peace of mind/ With some indie record that’s much cooler than mine.”) It’s a glimpse into the couple’s rifts, which seem to double as some of Swift’s strongest insecurities, like his dismissal of her sense of humor (”You laughed at my dreams, rolled your eyes at my jokes”). There is a pointed anger in this song - Swift accuses her ex-paramour of growing up in a Beverly Hills “silver spoon gated community” (yes, Gyllenhaal grew up in Los Angeles), and “scared not to be hip, scared to get old.” This may be the most twangy tune on the whole album, especially with the added vocals of bluegrass singer Chris Stapleton. “I BET YOU THINK ABOUT ME” (FEATURING CHRIS STAPLETON)įavorite lyric: “But now that we’re done and it’s over/ I bet you couldn’t believe/ When you realized I’m harder to forget than I was to leave.” She also asks her lover, “How is it in London?” a link to the track “Come Back Be Here” (”I guess you’re in London today/ And I don’t wanna need you this way.”) And, yes, in case you were wondering, Gyllenhaal has been known to spend time in London. She feels powerless in the relationship, which she admits is on his terms (”Message in a bottle is all I can do/ Standin’ here, hopin’ it gets to you.”)
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She is completely at his mercy, whether she’s around him or not (”I became hypnotized by freckles and bright eyes, tongue-tied,” she sings). This techno pop song is a reminiscence on Swift’s early infatuation - and the first signs that her budding relationship might not be the healthiest. Though most of the album is about a breakup, it seems that the “you,” in this case, is the audience who Swift fears will someday cast her out of its favor.įavorite lyric: “Time moves faster, replaying your laughter/ Disaster.” She also worries that the charm of her flaws have an expiration date (“Will you still want me when I’m nothing new?”). This ballad, a collaboration with indie singer-songwriter Phoebe Bridgers, appears to be Swift’s confrontation with what she fears is her own dimming star power, similar to the track “The Lucky One.” Having achieved unprecedented fame at such a young age, she wonders, “How can a person know everything at 18/ and nothing at 22?” The song is a hangover from the carefree joy in the boppy “22.” “NOTHING NEW” (FEATURING PHOEBE BRIDGERS)įavorite lyric: “Lord what will become of me/ Once I’ve lost my novelty?”
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So we decided to go down the rabbit hole, combing through the seven “From the Vault” tracks, and speculating what - and, ahem, whom - they might be about. “But, if you want to go down the rabbit hole with us, come along, the water’s great,” she added. The 31-year-old is famous for leaving cryptic hints for fans to dissect, a tendency she said had gotten “out of control” while on “ The Tonight Show Starring Jimmy Fallon” Thursday night.